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Barefoot in the Park



 
    Whether you're a  theater-buff or not, is there anyone alive who
hasn't heard of Neil  Simon?  As one of our country's most successful
playwrights, his  work is so popular it's often adapted into  film.
    Take "Barefoot in the Park," for example.   It opened on Broadway
in 1963; became an award-winning movie  starring Jane Fonda and
Robert Redford in 1967; and today is still in  demand.
    We've seen six different productions of  this 49 year-old comedy,
but we were anxious to see it again at the Long  Beach Playhouse.
Why?  Because "Barefoot in the Park" was once  called a wild comedy.
    Times have changed  dramatically since the 1960s, as have all of
society's mores.  We  wondered how contemporary values and a new
directorial point of view  would interpret Simon's plot--one which
centers on a straight-laced  attorney and a free-spirited woman who
discover six days into their  marriage that they are complete misfits.
    Kudos to  director Denis McCourt!  Thanks to his commitment to
traditional  theater, sparked by clever innovative touches, this
production of  "Barefoot" knocked the opening night audience clear
out of "the  Park."
    By adding a trio of fabulous doo-wap  singers (Whitney Mignon
Reed, Elaine Hayhurst, Brandy Drzymkowski who  perform throughout
the story), the action is solidly set in the late 50s  or early 60s.
Then there's the play's location.  Since the shape of  the LBP
Mainstage has long been problematic, and everything takes place  on
the top floor of a New York Brownstone, McCourt solves the  problem
of getting his characters up six flights of stairs with  aplomb.
They simply run up and down the aisles of the theater until  they
collapse, exhusted, on stage.
    The  talented cast does itself proud.  Vanessa Rose Parker plays
Corie  Bratter, the free-spirited young bride who throws precaution
to the wind  in her desire to experience life to the hilt; while Eric
Pierce portrays  Paul Bratter, her serious, straight-laced new
husband who desires to  become a stable, respectable attorney.
    The  audience loved every minute of their performances, even as
Rocky  Bonifield and Paul Ramirez gave them a run for their money.
Rocky plays  Ethel (Corie's lonely mother) with panache; while Paul
lets all the stops  out as Victor Velasco.  He's the Bratter's kooky,
over-the-top  neighbor, who gets to his illicit lodging by climbing
through the  couple's bedroom window.
    All hell breaks loose  when Corie gets a bright idea and tricks
her widowed mother into having  dinner with the Bohemian Victor.
She was going to prepare it herself; but  the bathroom floods, the
oven won't work, and the apartment is still  empty because the
furniture hasn't arrived.
    So  they resort to Plan B, which proves to be disastrous.
Following Victor's  advice, both couples take a ferry to Staten
Island where they eat at an  Albanian restaurant and all four of them
get drunk.  Meanwhile, Paul  is supposed to be in court the next day
to appeal an important case,  Ethel's car goes missing, her sister is
hysterical because Ethel never  returned home, and the newly weds
(who aren't speaking by now) are suing  each other for divorce.
     To find out how  this calamitous chaos winds up (by definition,
comedy must have a happy  ending, you know), call (562) 494-1014, or
go on line at  www.lbplayhouse.org.
     "Barefoot in the Park" continues at 8:00  on Thursday-Saturday,
and 2:00 on Sunday, through Feb. 11. Long Beach Playhouse is
located at 5021 E. Anaheim across the  street from the Long Beach
Recreational Golf  Course.