A Midsummer Night's Dream
In the words of Puck, “what fools these mortals be” should they miss seeing this play. The crown jewel of Theatricum Botanicum’s summer season returns in their signature production that is as winsome and magical than ever. Whether viewing this show by day or moonlit night, the natural setting of the outdoor amphitheatre creates the perfect, incomparable backdrop for fairies and young lovers in this mischievously romantic adventure.
On a midsummer eve before the wedding of Theseus (Jeff Wiesen), duke of Athens to his war-won bride-to-be, Hippolyta (Melissa Camilo), queen of the Amazons, two pairs of young Athenian couples flout parental authority and find refuge in an enchanted forest teeming with woodland sprites. Among these is Oberon (Michael McFall), king of the fairies and his impish underling Puck (David Pintado), along with Titania (Abby Craden), Oberon’s queen accompanied by her fairies-in-waiting. Further intrigue ensues as a troupe of performers rehearses their roles in the forest for a play planned for the duke’s wedding. When Oberon’s magical elixir meets with unpredictable results, it sets into motion a night of illusion, wonderment and sensual delight. By dawn, all is well again and the players perform their Pyramus and Thisby play with comically bawdy success.
The night-tripping follies in the forest find full enjoyment by Melora Mitchell’s sensational direction and a pure, clear interpretation of the text. No line is wasted and no opportunity for humor missed. Mitchell’s light but thoughtful touch highlights some of the funnier scenes such as Bottom’s “translation” into an ass, Helena’s near catfight rivalry with Hermia, and the play-within-a-play is triumphant.
Capitalizing on the verdant space, youthful, lithe fairies flutter in and sing from behind trees and along the steep footpaths inspiring a bewitching mood with simple, but lovely choreography enhanced by Val Miller’s splendid costumes and fetching, feathered headdresses. Sound effects play a major role in this production and complete the full sensory experience.
Every role is perfectly cast with extraordinary performances throughout. Wiesen, McFall and Craden are superb. Meredith Sweeney as Hermia and Willow Geer as Helena are both equally well matched, delivering hysterical moments as objects of affection. Pintado’s Puck is sweetly charming and nimble, bounding effortlessly from tree to tree like a young grasshopper. The troupe is par excellence, with Ernestine Phillips as Quince, Damien Burke as Flute, Kelly Henton as Snout and a precocious Wall, and Constance Lopez is precious as Snug and mewling Lion. The solid ensemble lacks nothing and each performer gives their level best. But, spotlighting the show is Thad Geer’s energizing tomfoolery as lovable Bottom. Geer’s sheer joy and committed energy is as contagious as it is commendable. His reflexive, physical comedy, booming voice and magnificent understanding of the role all make for an unforgettable performance that frankly, deserves an additional, solitary bow.
In short, Hermia says it best, “I am amaz’d, and know not what to say.”
“A Midsummer Night’s Dream”
Runs through Sept 7
Mon at 6:30pm, Thurs at 8pm, Sat at 4pm
Pre-show discussion on Sat, July 18 at 3pm
Theatricum Botanicum
1419 N. Topanga Canyon Blvd.
Topanga, 90290
(Midway between PCH & the 101)
Note: Thursday Night Combo
Midsummer Night’s Feast
Includes a pre-show Greek-themed buffet dinner
Advance reservations required.
PH: 310-455-3723
www.theatricum.com
**Audiences advised to dress casually