Endgame
This is a must-see for those aficionados of the Theatre of the Absurd. Sacred Fools presents us with a terrific production of what Samuel Becket called his favorite play. The title, Endgame, refers to terminology used in the game of chess when the end is known, and we trudge, fait accompli, to the final moment. The four characters on stage are the last persons on earth and are forced to experience a post-apocalyptic reality.
With ideas and worldviews similar to Camu and Sartre, many see Samuel Becket as an Existentialist; he rejected this label. However, he did want the audience not to seek meaning or order in his play, but to allow it to wash over them, sensing separateness, loss, poverty, alienation, and the on-going tedious inanity of humanity. Some of the dialogue is absolutely marvelous: One character asks, “Do you believe in the life to come?” Another answers, “Mine was always that.” Another example: “Nothing is funnier than unhappiness.” The play is filled with pithy brilliant and absurd remarks and insights, often incredibly funny.
As the audience is seated, the sound of a rumbling synthesizer creates the mood of chaos and a threatening, pervasive subconscious. No one was listed in the program as sound designer, so I can only assume that Tifanie McQueen (production designer) is to be thanked. The set (again without specific credit) was simple in its grunginess and effectively grotesque.
All the actors are quite fine: Leon Russom (Hamm) has power and authority; the essence of his character is clear. His best moments are when he is real, and, as the play progresses in its run, I hope he strives more and more for simplicity and reality. David Fraioli has a surefire role; believable and funny, using intense physicality, he portrays the pathetic and humorous Clov. However, his last speech “From the heart” was too fast and too soft and not heard properly. Barry Ford (Nagg) is perfect for his part. If only he would open his eyes and roll back the rim of his hat, he would be even more endearing and interesting. Kathy Bell Denton (Nell) is utterly delightful. She brings an elegance and charm to her character that contrasts with the dreary men and is refreshing and captivating.
Director Paul Plunkett has created a lively and dramatic presentation of a great but difficult play. Almost every word was heard. Characterizations were clear and precise. There was nothing heavy-handed or labored in the action or relationships. In a play about immobility and the eradication of time and progressive action, Mr. Plunkett manages to keep us attentive and eager throughout.
Sacred Fools Theatre
660 N. Heliotrope, Hollywood, CA 90004
Mar. 18—Apr. 23, Fridays & Saturdays, 8 pm. Sundays, April 10 & 17, 7pm
Tickets $20 at www.sacredfools.org or 310-281-8337